Welcome. My name is Gleb Osatinski and I am the writer and director.
Here I can share my story and vision for bringing my memory film to life. If RESENTMENT moves you, please click below. Thanks
Here I can share my story and vision for bringing my memory film to life. If RESENTMENT moves you, please click below. Thanks
Ukraine. 1987. A Jewish boy, seeking to leave his oppressive surroundings, struggles against his father’s will and refusal to abandon their “home.” Their desire to live a pacific life is challenged by a confrontation with an antisemitic neighbor, and the boy’s decision to take matters into his own hands.
Gleb Osatinski is an accomplished director and screenwriter. Gleb has directed and produced six award-winning short films, which have screened at more than a dozen film festivals around the world. His film THE QUANTIFIED SELF was nominated Best Narrative Short at Woodstock Film Festival, has received a Programmers Award at Sidewalk Film Festival, and Runner UP award at the Boston Underground Film Festival. It was also featured on ARTE TV in France and Germany. His short film CHECKMATE won the REEL13 contest and was aired on PBS. His short film FATHER had its international premiere at The Krakow Film Festival 2020 Short Films competition. OUTSIDERS won Best Student Short at Paris Film Festival, Moscow Film Festival, and received nominations for Best Dramatic Short from Ashland Film Festival and Maryland Film Festival. He is a recipient of the 2020 Katherina Otto-Bernstein grant at Columbia University for RESENTMENT.
My latest film project, Resentment, is based on my childhood memories of my antisemitic experiences growing up in Ukraine, and how they impacted my relationship with my father.
The film draws on issues of cultural identity and presents a specific snapshot of a political time and place, and how those external forces influence our inner lives and individuality. Telling this story now, and returning to that time, also helps me personally...
With this film, I am finally ready to go home. I realize that I could not make the journey with out the support of my wife, and daughter; and, I am more than grateful for the professional and financial support of my extended film family. Resentment takes place in 1987, in a world long gone. The story is about the values of hope, honor, and decency, that conflict with the cold truths of human weaknesses and prejudice, making the narrative within Resentment even more important today.
Director of Photography: Vitautas Katkus – Born in 1991 in Vilnius, Lithuania, Vytautas Katkus graduated with a Bachelor's Degree in cinematography from the Lithuanian Academy of Music and Theatre. He works as cinematographer in movies as well in video art projects. He won best young cinematographer award by Lithuanian Association of Cinematographers in 2014 and 2015. Since 2016 he is a member of Lithuanian Association of Cinematographers. Kolektyviniai sodai (Community Gardens), his debut short film, is selected at the 58th Semaine de la Critique. His most recent short film Techno Mama had a world premiere at Venice Film Festival, 2021.
Executive Producer: Katharina Otto-Bernstein - Emmy nominated filmmaker Katharina Otto-Bernstein is known for the acclaimed HBO documentaries The Prize of Everything (Sundance -Emmy Nominated), Mapplethorpe: Look at the Pictures (Sundance, Berlinale - Two Emmy Nominations), Beautopia (Director, Sundance -Winner Chicago Film Festival) and Absolute Wilson (Director, Berlinale – Winner Basel Art Film of the Year). Otto-Bernstein is a producer of the 2021 German fiction feature Sea Glow, starring Ulrich Tukur (The White Ribbon) and Sibel Kikilli (Game of Thrones) and co-producer of the 2020 Amazon Prime series Für Umme and directed When Night falls over Moscow (ARD), The Need for Speed (Discovery, BBC), Coming Home (NDR), The Second Greatest Story Ever Told starring Malcolm McDowell and Mira Sorvino (Co-director, BBC). She is the author of Absolute Wilson – The Biography of theater director Robert Wilson and has worked for Karol Armitage as a dramaturge in theater and dance. Other nominations and awards include Critics Choice Award, Cinema Eye Award, GLAAD Award, Grierson Award and a Hugo from the Chicago International Film Festival. She is a member of the Writers Guild of America, the international and national Academy of Television Arts and Sciences. A graduate of Columbia College and Columbia Film School, she was honored by her alma mater with the Columbia University Alumni Medal of Achievement in 2009 and is currently serving as chair of the Dean’s Council of the School of the Arts.
Executive Producer: J. Dixon Byrne - Dixon studied at HB Studios and lives in NYC. He originally performed as a member of The Villanova Theater Group, on local New York City stages and in TV commercials. Dixon was Executive Producer of Lodge Kerrigan's first award-winning feature clean, shaven. He also is a co-producer of The Plagiarist, by James N. Kienitz Wilkins and Robin Schavoir and an Executive Producer of Otherland, by Alex Le Bas and Alex Brisker. Throughout his acting career, Dixon has appeared in a variety of features and shorts, recently performing in Mr. Wilkin's short film, Mediums (Whitney Biennial, New York, and The Tate Modern, London) as well as Mr. Wilkin's award winning, controversial radio play, The Republic. Currently, Dixon's work can be found on iTunes and Amazon Prime in the award winning, EVOL, Michael Perrone's debut feature, and in the award-winning writer/director Roger Hayn's first feature, Congratulations Debby which premiered internationally and streams on memory.is/debby. He can also be seen on the festival circuit in Gleb Osatinski's award winning short, Father, Shukai Wang’s 7045 Steps, and Brian Tracey’s Down and Away. Dixon appears as Simon, in European director Sandeep Kumar's internationally award winning comedic short, Another Day in Manhattan, having premiered in Vienna, Austria and winning Dixon two Best Actor Awards. (The Art is Alive Film Festival and The Indo-French International Film Festival) He is currently in Michael Perrone's second feature, The Man Behind the Camera, (Co-starring as Walter Hughes) set for international release early 2022. In addition, Dixon and Sandeep Kumar are collaborating on a feature entitled, Chasing William, about an aging man's disturbingly misguided search for happiness. Dixon is also the author of the experimental memoir, There's a Person in Here, under the pseudonym, James Patrick.
The Gotham Film & Media Institute: Gotham is a not-for-profit dedicated to finding, developing and celebrating the people and projects that shape the future of story.
Founded in 1979 as the Independent Filmmaker Project (IFP), The Gotham is the largest and long-running not-for-profit of its kind. The Gotham continues to champion the future of storytelling by connecting artists across various media disciplines with essential resources at all stages of their career and projects’ development. The Gotham fosters a vibrant and sustainable independent creative community, represents a growing network of storytellers around the world, and plays a key role in developing 350 fiction and nonfiction works each year. During its more than 40-year history, The Gotham has supported over 10,000 projects and offered resources to more than 30,000 filmmakers, including Barry Jenkins, Dee Rees, Laura Poitras, Richard Linklater and Ava Duvernay.
The Gotham Fiscal Sponsorship program is a legal and financial mechanism by which The Gotham, a 501(c)(3) non-profit organization, serves as a conduit for financial resources and provides some support and oversight for independently produced film projects.
Projects Fiscally Sponsored by The Gotham are able to give donors the incentive of a charitable deduction for income tax purposes, a service individual filmmakers could not otherwise offer. It also enables filmmakers the ability to access foundation and government grant funding that may only be accessible to non-profit organizations or fiscally sponsored projects.
The Gotham’s Fiscal Sponsorship program also offers financial and administrative support, competitive administrative fees, and the reliability of working with an established filmmaker support organization.
If you have questions or comments about RESENTMENT,
please send us a message, and we will get back to you right away.
Thank you,
Gleb Osatinski
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